摘要： “且介亭”是鲁迅在上海“半租界”所居住的亭子间，隐喻着他“姑活”的心态和介入现实的“战取”姿态。“酒”作为逼仄空间的苦闷的象征，不仅贯连着鲁迅的人际交往，还投射出危机处处的都市生活情状。走向坟之路的“鬼”，暗含着严酷的政治和文化围剿下鲁迅内在的心态变迁。对堂吉诃德式的做戏行为的评述，作为鲁迅的抗争方式，寄寓着其对启蒙即救亡的观念的坚守。都市空间中多重物象的化合作用，形塑着鲁迅对“时代的眉目”的感应和攻守方式。

关键词: 且介亭, 酒, 鬼, 堂吉诃德

Abstract: “Qiejieting” is the garret where Lu Xun lived in the semi-concession area of Shanghai, which reflects his mentality of “making do for the time being” and his attitude of intervening in and resisting reality. As a symbol of depression in a confined space, “wine” not only connects Lu Xun’s interpersonal relationships, but also projects the crisis-laden situation of urban life. The ghosts walking towards the grave imply Lu Xun’s inner mental changes under the harsh political and cultural encirclement and suppression. The commentary on Don Quixote’s theatrical behavior, as Lu Xun’s way of resistance, reflects his adherence to the concept that enlightenment means national salvation. The combined effects of multiple objects in the urban space shape Lu Xun’s perception of the “features of the times” and his offensive and defensive strategies.

Key words: Qiejieting, wine, ghosts, Don Quixote