摘要： 传统的大众文艺往往追求一种“现实感”，而今天的新大众文艺则更倾向于“人间感”的表达。“新大众文艺”时代的“大众”，受过良好的教育，既是文化的消费者，更是 文化的生产者；在自媒体时代，他们有能力通过数字网络组织自己的表意空间、传播路 径，巧妙使用新媒介技术翻新花样，爆发无尽的想象力，形成具有鲜明的新媒介文化特 色的文艺活动；同时，越来越多的“知识大众”倾向于表达自身生活处境中的生命经验， 背靠个人生活的微末经验创设情境、重构现实、翻转故事，形成新大众文艺的“人间感” 叙事。

关键词: 新大众文艺, 人间感, 知识大众, 微末人生

Abstract: Traditional popular arts often aimed for a “sense of reality”, while today’s new popular arts are more inclined to convey a “sense of humanity”. In the era of “new popular arts”, the “masses” are well-educated, serving not only as cultural consumers but also as cultural producers. In the self-media age, they have the ability to organize their own spaces for expression and dissemination channels through digital networks. By adeptly utilizing new media technologies to innovate and unleash boundless imagination, they engage in literary and artistic activities that distinctly feature new media cultural characteristics. Meanwhile, an increasing number of “knowledgeable masses” tend to express the life experiences from their own living situations. Drawing on the trivial aspects of personal lives, they create scenarios, reconstruct reality, and overturn narratives, thus forming the “sense of humanity” narrative of new popular arts.

Key words: new popular arts, sense of humanity, knowledgeable masses, trivial lives