摘要：
抗日战争爆发后，在媒介形态与社会结构的剧变中，声音凭借其轻便灵巧、通俗易懂的特点，在救亡动员中扮演了重要角色。抗战文艺的声音转向，不仅是口传文学传统的继承，还是战时的新探索，重新激活了域外与传统的声音艺术资源并结合抗战实际进行改革，重构了新的艺术形式、情感机制与文化实践。抗战声音在跨域网络中流动，打通不同文类、空间与阶层隔阂，联结古今，沟通世界。抗战声音实践不仅客观反映，而且主动介入现实；不只给听众审美体验，还激发其参与行动。其重要特质在于具身性 ，更深层地指向人的实践主体地位，由主体内在的情绪起伏与身心境遇，推至语辞声音姿态等形式的韵律节奏，拓展到现场的具身展演、动态文化实践，进而不断与政治、军事及社会有机互动，嵌入抗战斗争与新的国家建设。
关键词:
Abstract:
After the outbreak of the War of Resistance, amidst the drastic changes in media forms and social structures, sound, with its lightweight, agile, and accessible characteristics, played a significant role in the mobilization for national salvation. The turn towards voice in literature and art during the War of Resistance not only inherited the tradition of oral literature but also represented a new exploration during wartime, reactivating foreign and traditional sound art resources and, in combination with the realities of the war, reconstructing new artistic forms, emotional mechanisms, and cultural practices.
Key words:
王今.
一百年与二十年：百年中国文学思想史（十五）|抗战文艺的声音实践与跨域流动
[J]. 探索与争鸣, 2025(4): 161-170.
Wang Jin. Voice Practice and Cross-Domain Flow in Literature and Art during the War of Resistance[J]. Exploration and Free Views, 2025(4): 161-170.