1930 年代，左翼电影人介入电影界，尝试借助电影这一大众艺术形式宣传、推广革命理念。其中，夏衍创作、张石川导演的《压岁钱》不仅将电影艺术的趣味性与左翼话语的革命性结合，通过一枚银圆的流转生动展示了当时上海不同阶层的众生相，而且以《新生命歌》等插曲的创造性置换，发出呼声，号召新女性和社会各界力量走上前进之路。通过考察影片的市民趣味、好莱坞元素及声音景观，可以发现，左翼电影人在实现娱乐和商业利润的基础上，不仅通过电影艺术发掘社会问题，还通过电影插曲等“奇兵”元素，宣传左翼革命话语，实行隐形革命，进而实现教育社会的功能和建设新的“银色世界”的文艺使命。

左翼, 电影, 声音, 意识形态, 《压岁钱》

In the 1930s, left-wing filmmakers entered the film industry, attempting to promote revolutionary ideas through film, a popular art form. Among them, New Year’s Money, written by Xia Yan and directed by Zhang Shichuan, not only combines the entertaining aspects of film art with the revolutionary nature of left-wing discourse by vividly showcasing the lives of people from different social classes in Shanghai through the circulation of a silver dollar, but also uses creative substitutions, such as the insert song Song of New Life, to call for new women and social forces to move forward. By examining the civic interest, Hollywood elements, and soundscape of the film, it can be found that left-wing filmmakers, while pursuing entertainment and commercial profits, not only explored social issues through film art but also promoted left-wing revolutionary discourse through “surprise” elements, such as film insert songs, carrying out an invisible revolution, and thereby fulfilling the literary mission of educating society and building a new “silver world”.

left-wing, film, sound, ideology, New Year’s Money