摘要：
泛社交化的当下，粉丝们对于大众文化文本的“盗猎”活动不再是单独的、私人的行为，而是社会的、公开的过程。由不同粉丝群体结成的大大小小的阐释共同体，使得粉丝文艺批评逐渐崛起为一种新型的文艺批评形态。与学院派批评不同，粉丝批评多采取沉浸式文本解读，这主要体现在沉浸于文本所营造的切身的虚拟现实及相关文本所带来的持续性情感记忆。粉丝批评合法性的确立，建基于文艺批评公共领域的有效建构，但粉丝社群的圈子化、狭隘性和排他性等弊病，及其文艺批评呈现出的“信息茧房”趋向，使其容易封闭于自身所严格设定的价值观、本真性、文本等级之中，从而破坏了文艺批评公共领域的构建，并限定了其文艺批评的价值与文化抵抗的效力。
关键词:
粉丝 ,
粉丝批评 ,
阐释共同体 ,
沉浸式批评 ,
公共领域
Abstract:
In the current era of Pan-social, the fans' activities of poaching popular culture texts are no longer a
separate and private behavior, but a social and public process. The interpretation community composed of different
fandoms cause the rise of fans' literary criticism which gradually becomes a new form of literary criticism. Different
from the academic criticism, fans’ criticism mostly adopts the way of immersing in the text, which is mainly
reflected in the immersion in the virtual reality created by the text and the continuous emotional memory brought by the relevant text.
Key words:
fans
,
fans’ criticism
,
interpretation community
,
immersive criticism
,
public sphere
李雷.
粉丝批评的崛起——粉丝文艺批评的形态、策略与抵抗悖论
[J]. 探索与争鸣, 2021(1): 86-94.
Li Lei.
The Rise of Fans’ Criticism——The Form, Strategy and Resistant Paradox of Fans’ Literary Criticism
[J]. Exploration and Free Views, 2021(1): 86-94.