摘要： 在“长程革命”的理论框架下探讨城市文学研究，其视角包含但不限于：聚焦半殖民地上海的文化场域，剖析市民意识在租界语境中的生成，探讨时尚、媒介技术与感官体验（尤以嗅觉为重心）如何重塑文学表达等。通过细读《海上花列传》《点石斋画报》等文本，可以看到市民文学如何突破“海派”地域性，成为全球文明碰撞的缩影；同时，通过批判性反思“香艳传统”中的性别权力结构及其现代转型，可以看到丁玲、张爱玲等作家对“男凝套式”的反叛及其女性意识的觉醒。研究城市文学，不仅应以“长程”视野整合文学史碎片，在跨文明对话中重审中国现代性路径，同时，也应意识到细读方法对维系文学本体价值的必要性。
关键词:
长程革命,
城市文学,
媒介,
时尚,
感官,
现代性,
女性
Abstract:
Fernand Braudel’s theory of the longue durée (long duration) and Raymond Williams’ concept of the “long revolution” provide a methodological framework for examining the evolution of modernity and civilizational transformation in Shanghai urban literature from the 19th to the 20th century. Within this framework, the study of urban literature encompasses perspectives including, but not limited to: focusing on the cultural field of semi-colonial Shanghai, analyzing the formation of civil consciousness within concession contexts, and exploring how fashion, media technology, and sensory experiences reshaped literary expression. Studying urban literature not only enables us to integrate fragments of literary history from a long “revolution perspective” and re-examine the path of Chinese modernity in cross-civilizational dialogues, but also requires us to recognize the necessity of close reading methods for maintaining the intrinsic value of literature itself.
Key words:
long revolution
,
urban literature
,
media
,
fashion
,
sensory experiences
,
modernity
,
feminist
陈建华. 文明互鉴与城市中国（三）|“长程革命”与城市文学研究的未来[J]. 探索与争鸣, 2025(7): 100-115.
Chen Jianhua. “Long Revolution” and the Future of Urban Literary Studies[J]. Exploration and Free Views, 2025(7): 100-115.