摘要：

随着传统声学媒介融入新媒体，特别是智能语音设备的普及，我们周遭的环境正在变成一个动态同步的声觉空间。早期的录音装置切断了声音与其他事物之间的联系，将声音与图像分离，并将其转化为纯粹的能指。这为文化工业对声音进行重组，进而进行意义生产提供了准备。随着声学媒介与文化工业的紧密接合，听觉进入了自动化时代。为了遮蔽自身的生成语法，媒介努力营造主体在场的倾听幻觉。处于自动化阶段的声学媒介，由于无法兼容偶然性溢出，故逐渐被智能语音所取代。但是，智能语音也有其限度，作为一种征兆，它为主体反思听觉经验中所蕴含的自动化逻辑以及拯救日益退化的听觉感知提供了一个可靠的立足点。

关键词:

声学媒介, 听觉自动化, 录音技术, 框架实践, 智能语音

Abstract:

With the integration of traditional acoustic media into new media, especially the popularization of intelligent voice devices, our surrounding environment is becoming a dynamically synchronized acoustic space. Early recording devices severed the link between sound and everything else, separating sound from image and turning it into a pure signifier. This provides the premise for the cultural industry to reorganize sound and then produce significance. With the close engagement of acoustic media and cultural industry, hearing has entered the era of automation. In order to cover its generative grammar, the media tries to create the illusion of listening in the presence. Unable to accommodate accidental spill-over, the acoustic medium at the stage of automation is gradually being replaced by intelligent voice. However, intelligent voice has its limits. As a symptom, it provides a reliable foothold for the subject to reflect on the automated logic contained in auditory experience and rescue the deteriorating auditory perception.

Key words:

acoustic medium,  auditory automation,  recording technology, frame practice,  intelligent voice