摘要：
当代中国青年的精神普遍趋向“小器化”，也即失去了对于“现实”的超越性想象。但同时可以看到以提供替代性现实为目的之游戏文化和产业的普遍化，以及作为超越性想象文学类型的科幻文学的崛起。通过对文化和媒介状况的分析可以发现，在当代中国文化中，游戏作为一种存在方式所蕴含的“嬉戏性”逻辑，已经重新定义了“超越性”。深层性或者说结构性的超越，转变成一种以潜在为基础的超越。而作为存在模式的“嬉戏性”通过弹幕、社交媒体等新媒体的基础设施渗透到当代中国青年生活的所有角落，由此带来文化想象力的转变。
关键词:
Abstract:
The spirit of contemporary Chinese youth generally tends to be“small”, that is, they have lost
their transcendental imagination of“reality”. But at the same time, we can see the popularization of game
culture and industry for the purpose of providing alternative reality, and the rise of science fiction as a type
of transcendental imagination literature. Through the analysis of culture and media, it can be found that in
contemporary Chinese culture, the“playful”logic contained in games as a way of existence has redefined “transcendence”. Deep or structural transcendence turns into a transcendence based on potential. As a mode
of existence,“playfulness”has penetrated into all corners of contemporary Chinese youth life through
the infrastructure of new media such as barrage and social media, thus bringing about changes in cultural
imagination.
Key words:
杨骏骁.
“嬉戏性”：中国当代文化想象力的转变
[J]. 探索与争鸣, 2022(5): 168-176.
Yang Junxiao.
“Playfulness”: The Transformation of Chinese Contemporary Cultural Imagination
[J]. Exploration and Free Views, 2022(5): 168-176.